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Ashcombe Museum of Art & History
Medieval Art & Manuscripts

Pendant Triptych with an Onyx Cameo of the Nativity

MetalworkReligious ArtIvory & Enamel

Details

Author / creator
Pendant: France, Paris or Tours; Cameo: Italy, 13th-15th century
Object type
Decorative arts
Date or period
c. 1460–1500; cameo: c. 1250–1300
Dimensions summary
Overall: 5.8 × 2 cm; Part 1: 4.5 × 3.5 cm
Place of origin
Pendant: France
Acquisition method
Purchase
Credit line
Purchased with the Public appeal (1998), 1947
Text
Unidentified text
Script
Gothic textualis
Language
Latin
Image rights
Public domain (CC0)

About this object

This pendant consists of colorful translucent enamel over an incised gold ground, a technique known as basse-taille, which simulates stained glass. For its owner this pendant was both for private devotion and a deluxe accessory. Made to be worn around the neck or suspended on a bed curtain, the pendant is shaped as a miniature triptych (three-panel painting) with wings or shutters that could be opened and closed. The outer surfaces are decorated with two prophets. The remaining images include various scenes from the life of Christ.

Small objects played a key role in private piety. Within this domain of personal spirituality, images were used to venerate and invoke Christ and his saints, as well as to meditate on the most important mysteries of faith or events from the story of salvation. Pious men and women began outfitting rooms in their homes where "one can pray well." Small portable deluxe objects such as ivories, enamel plaques, and jeweled pendants were critical ingredients in this experience of faith.

Materials and technique

Basse-taille enamel on gold; onyx cameo

Signature and marks

on the outside shutters, the two Prophets hold scrolls with inscriptions on them.

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