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Ashcombe Museum of Art & History
Paintings

The Trinity

Permanent ExhibitionPaintingReligious Art

Details

Author / creator
Hendrik van Balen (Flemish, 1575–1632)
Object type
Painting
Date or period
c. 1620
Dimensions summary
Framed: 134 × 107 × 7 cm; Unframed: 114.6 × 73.9 cm
Support
Panel
Paint medium
  • Oil
Place of origin
Flanders
Acquisition method
Donation
Credit line
Gift of the Pemberton family, 1996
Image rights
Public domain (CC0)

About this object

This vividly colored altarpiece was made in Antwerp, the center of religious learning in Catholic Flanders. In the mid-1500s when the Catholic Church mounted a defense against the spread of Protestant reforms, known as the Counter-Reformation, it encouraged the production of religious images that promoted Catholic doctrine, offering opportunities for artists like Rubens, Van Dyck, and Van Balen. Van Balen’s painting depicts the traditional theme of the Trinity, with God the Father holding the dead Christ and the dove of the Holy Spirit hovering above. Unusually, God wears the purple papal tiara, intended to emphasize the pope’s role as God’s true representative on earth. Encircling the figures of the Trinity are angels holding the instruments of Christ’s Passion. On the clasp of God’s elaborate cape is a small figure of Saint Barbara, perhaps a clue to the original location of the work in a chapel dedicated to her.

Materials and technique

Oil on wood

Signature and marks

signed lower left: H.V. Balen

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